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burnt truth

I play the keytar. A two-in-the-morning search for its ancestors took me to Vienna and the Orphica. Then I started thinking about the musicians carrying it: the road, the equipment, the work of getting to the next gig.

The gallery is a band

I had a theme and invited other artists to work with it. Painting, steel fabrication, glass, drawing, video: each person brought a way of making that I could not supply alone. Setting up the gallery became another kind of composition.

My van breaks down on tour. In the exhibition’s invented eighteenth century, the horse dies between Vienna and Linz and Mozart has to drag the keyboard through the mud. I wanted that physical inconvenience in the room with the history of the instrument.

01 · exhibition

Installation views

02 · objects

Instrument silhouettes / objects

03 · portrait

Mottel, eighteenth-century keytarist

Portrait of Mottel as an eighteenth-century keytarist, painted by Andrew Dreyer, 2021.
Portrait of Mottel as an eighteenth-century keytarist, painted by Andrew Dreyer, 2021.
04 · hand-drawn website

Nicole Lattuca / Mozart for babies

05 · works on paper

Drawings and instrument research

06 · moving image

MOZART ON THE ROAD / exhibition video

MOZART ON THE ROAD carries this imagined touring life into the film. The exhibition video shows how the objects occupied the gallery.

Video installation in the gallery.
Video installation in the gallery.

The ensemble

With Sherine Anis, Andrew Dreyer, Florian Pilz, Ken Butler, Nicole Lattuca, Sander, J Ballard, Katharina Huber, Mik Quantius, Michael Jansen and Susan Mottel.

Fabrication: Sander fabricated the bicycle-style frames. Frank Merks designed the heavy steel structure with the strap. Portrait painting: Andrew Dreyer. Hybrid keyboard / guitar: designed and built by Ken Butler. Homage to memes: Florian Pilz (AudioPilz / Bad Gear). Illustration: J Ballard. Additional piece-by-piece titles and credits remain under review.