New Paltz: organizing and listening
Concert organizing, WFNP jazz programming, exhibitions and experimental-music activity while studying at SUNY New Paltz.
I research cultural histories and create inter-media environments for these extant forms. My father’s photographs, a geodesic dome, the history of the keytar, children’s drawings: source materials for new activity. I come to this work as a musician, making decisions in real time.
New York / Newburgh / elsewhere 1999—2026
Syeus Mottel’s CHARAS photographs, 1972–7302 / A cultural geography
The Steve Circuit, 2020 · Otomo / Mottel03 / A shared score
Parents in the Avant Garde, Watermill, 2026Concert organizing, WFNP jazz programming, exhibitions and experimental-music activity while studying at SUNY New Paltz.
Keyboards and drums with Kevin Shea. More than two decades of improvisation, composition, recordings and international touring.
An ISSUE Project Room residency begins an extended investigation of archival photographs through music, performance and intermedia work.

Direction, digitization and activation of Syeus Mottel’s photographs, recordings and documents. The archive becomes material for exhibitions, films and other people’s work.

Syeus’s photographs, CHARAS / El Bohío, oral histories and contemporary dome building enter a continuing public conversation.

An intermedia installation and public programme: photographs, assemblages, dome construction, sound, video and conversations.

Fourteen days of public archiving and performance. Each projected photograph becomes an invitation to respond.
The archive and performance project is presented at Mumei Art Space.
Sounding objects, instruments and public actions test the distance between an object, its location and what it plays.
A portable dome and distributed sound system make a concert venue that other people can use.

With Yuko Otomo, tracing Steve Dalachinsky’s daily routes through artists, venues, poems, collages and recordings.
Dome building, an artist lecture and live performance in the context of HABITAT at Salisbury University Art Galleries.

Matt Mottel and Kevin Shea as the festival’s two Improvisers in Residence: rehearsals, broadcasts, recordings and visiting musicians.

The keytar, the work of touring, and a gallery assembled as a band. An invented eighteenth-century touring story sits alongside instrument research.
Keyboards, electronics, video and Syeus’s photographic archive become material for new composition.

Nicole Lattuca and Matt Mottel make work with children and parents. Drawings become scores; the people making them can play alongside the musicians.
Fellowship connecting public art, collaborative performance, teaching and cultural organizing.
A projected return to the collaboration with Yuko Otomo and the materials connected to Steve Dalachinsky.
An Awesome Newburgh-supported, three-day low-power FM and public recording studio in a vacant Broadway storefront.
A four-night music residency: original composition, ensemble improvisation, collaborative performance and a PAG / Scribble Scores programme.
Co-founder and public-programme / media-studio lead. A former theater box office becomes a community radio and podcast platform.

Weekly Scribble Scores sessions: loud and quiet, melody and dissonance, musical maps, earth, rain and wind.

Geodesic dome building and public programmes with Chapman Steamer Arts / Arts in the Park.

A dome, natural pigments, drawings and an all-ages ensemble. Space music born from the crayon galaxy.
Three audiovisual compositions bring archival recordings, photography, live performance, sound and digital media into dialogue.
Students take up historical source material and produce work from their own positions.

Shared scores and instruments in conversation with Upside Down Zebra and the Rhoda Kellogg child-art collection.

CCAM Fest: Fluxus. Paper on the floor; marks, instruments and a room of people deciding how to play.
Dates keep different kinds of time: a single performance, a residency, a collaboration that is still going.